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Jonelle procope biography of christopher

          Employment: Apollo Theater · Education: Lansdowne Friends · Occupation: Lawyer,Foundation President,Foundation Chief Executive · What we do....

          NEW YORK (AP) — Jonelle Procope's year tenure as president and CEO of The Apollo Theater evolved into an era of prosperity and expansion.

        1. NEW YORK (AP) — Jonelle Procope's year tenure as president and CEO of The Apollo Theater evolved into an era of prosperity and expansion.
        2. After almost two decades at the helm of Apollo Theater, Jonelle Procope leaves as her legacy an $80 million renovation to the historic space.
        3. Employment: Apollo Theater · Education: Lansdowne Friends · Occupation: Lawyer,Foundation President,Foundation Chief Executive · What we do.
        4. Sirius Xm Holdings has named Jonelle Procope, CEO of New York's nonprofit Apollo Theater Foundation, as a new independent member of its board of directors.
        5. This week in Kennedy Center history: On Jan. 14, , the musical Timbuktu!

          6. Join THE A-LIST

          Saturday, October 26, 2024

          Doors Open

          1:00PM & 6:00PM EDT

          Show Starts

          2:00PM & 7:00PM EDT

          Ages

          Where

          The Apollo Stages at The Victoria

          Event Date

          October 26, 2024

          Event Time

          2:00PM & 7:00PM EDT

          Awards Presentation & Concert

          Dinner & Dancing

          Location

          The Apollo Stages at The Victoria

          Buy Tickets

          Download Program Booklet

          The Apollo Works in Process series continues with a powerful three-part contemporary ballet by Jamaican-born dancemaker, Christopher Rudd.

          Inspired by the 2012 murder of Trayvon Martin, WITNESS blends different styles of dance with contemporary circus, film, and theatricality to put America’s racial landscape into historical context, combat systemically taught racial biases and imagine hope for a more just and equitable future.



          Journeying through time and form, Rudd’s dynamic work invites audiences to engage in a conversation about reconciliation and their duty as bystand